Toperiodko write up!

Thanks to Toperiodiko (Greece) for the great write up of our album ¨The Wave¨ in Auditorium on 2/08/2019.

¨. . . without aesthetic limitations. . . an enjoyable, atmospheric ambient collage.¨

www.toperiodiko.gr/auditorium-καινούριες-μουσικές-στην-σκηνή-της/#.XUVZLlB9gnX

 

Radio in March

Thanks to Querfunk 104.8 Radio Karlsruhe for playing Tabla Dance from our album ¨The Wave¨ on the Orsinos Lied – Weltmusik program on 10.03.2019
 
www.querfunk.de
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and thanks to Eldoradio Dortmund 93.00 for playing Tabla Dance from our album ¨The Wave¨on the program Klangwelten 12.03.2019

www.eldoradio.de

More radio play for ¨The Wave¨

 

Thanks to ERR Klassikaraadio for playing The Wave Pt. 2 from our album ¨The Wave¨ on the Fantaasia program – 15.02.2019
 
www.klassikaraadio.ee

Thanks to ORF oe1 (Austria) for playing Hildegard´s Dream and The Wave Pt. 1 form our album ¨The Wave¨ on the Zeit-Ton Magazin program on
20.02.2019,

https://oe1.orf.at/programm/20190220

Thanks to FABIAN TURNER (PHABIUS) for playing Tabla Dance from our Album ¨The Wave¨ on the MEGALO TAXIDI RADIO SHOW #79 on 26th February 2019 on NESS RADIO Marrakech/Paris
 
http://nessradio.com

Radio play for ¨The Wave¨

¨The Wave¨is already receiving radio play early into its release!

 

Thanks to the Estonian classical music station ERR Klassikaraadio for playing Tabla Dance on their program Fantaasia on 13-02-2019

http://klassikaraadio.err.ee

 

And thanks to Radio Radio Canada, ¨who broadcast ¨Frog Chorus¨ on the Mary’s Web program, 17.02.2019
 
Radio Radio
104.5 FM Calgary, Alberta
www.radioradio.ca

Great reviews for ¨The Wave¨

Many great reviews already for ¨The Wave¨

 

From Amusio

¨When Marcus Davidson and Roger Huckle pulverize the boundaries between Wild West Saloon and Middle Eastern Divan, the wave announced in the album title could break. Out of sheer good humor. And the pleasure of your own stamina. . . Not exactly simple. But still nice.¨

https://www.amusio.com/…/kontinuitaet-faktor-ohne-groesse/2/

 

from Sonic Seducer, ¨Frog Chorus¨ is a secret highpoint!

Image may contain: 5 people, text

 

Great review of ¨The Wave¨ by Musik an sich, 19 out of 20, contender for album of the year!

https://www.musikansich.de/review.php?id=19916

. . . it’s carried by the polished composition, performance and production that give it an undeniable richness, vibrancy and class. It also has potential as a stepping stone for listeners of more traditional music who are intrigued by something that’s just a shade more experimental without being challenging.

 

Very positive review from rockerilla.com
 
. . . the two musicians recorded the seven tracks of The Wave trying to describe ancient exotic atmospheres and futuristic worlds. Captivating!

Standing Waves record release + Bøen/Fiskaaen duo premier concert 21st February, Østre, Bergen

https://www.facebook.com/events/357898804788775/

Standings Waves perform music from their newly released album “The Wave” and the Bøen/Fiskaaen flute and Guitar duo premier 4 Balkan Dances by Marcus Davidson.

Standing Waves mixes music from the eastern and western hemispheres – with violin, percussion, keyboard, vocals, natural and space sounds and film, Standing Waves really is world music – east meets west, electroacoustic soundfest!

Violin – Roger Huckle
Vocals – Kat Kleve
Keyboards/sounds – Marcus Davidson
Percussion/drums – Anders Christian Jakobsen
Bass – Edvard Mjanger

Bøen/Fiskaaen duo (Knut Magnus Bøen, flute
Hallgeir Fiskaaen, guitar) were established in 2009 and are Bergen based. In 2017 they commissioned Marcus Davidson to write 4 Balkan Dances, this is its first performance. Funding was kindly provided by the Komponistenes vederlagsfond.

New material premiered at house concert

Posted by Ronald Toppe on 3. november 2017

Roger and Marcus premiered new works based on the music of Hildegard von Bingen at a house concert in Bergen on November 4th. The new music mixed chants from Hildegard von Bingen sung by Kat Kleve, with tabla rhythms, nature sounds and indian tempura drones. The concert was warmly received by a mixed audience, many who are unfamiliar with contemporary music.